A bit of a TLDR for some questions I saw in the notes:
The team that created Glaze is from the University of Chicago. Their names are each listed in full on the Glaze download website. (This group of students/professors did this for their SPRING BREAK 😱 so go give them some love lol)
It is free to download. No, they won’t ask for or raise money from/for this project.(stated by one of the lead professors of the project).
Glaze is designed to protect artists’ STYLE–which a bunch of ai people have been deliberately fine-tuning their models to mimic (and specifically of current living artists–small or big).
It currently does not protect against composition/trace-like theft (as seen when run through img-to-img) but that would be protected by copyright anyway while STYLE is not.
The University Team has stated that they are dedicated to continuing to improve the tool, like fixing bugs (like overheating older computers by taking up lots of energy when Glazing–it currently runs on CPU so they’re trying to change that to GPU, I believe) and expanding the type of protection given to artists (like working against img-to-img theft).
It currently only works directly on your computer (phones not advised due to current overheating issue, no tablets, or iPads, and no website runthrough since that would be insecure to breaches/scraping/hacks)
It currently works best onpainterly artwork, but can still be used on other forms (team is working on improving this)
IT WORKS BY calculating the changes each image needs for the best protection against style theft by AI, and adds tiny changes throughout the piece, so that your style will, for example, confuse the ai into seeing van gogh. But the ai thieves will see a regular image in your style, feeding it into their model labeled as your work (thus starting the “data poisoning”).
Do not post the original unGlazed piece of your artwork after posting your Glazed version (obviously)
The Team worked directly with over 1,000 artists that were being impacted by the ai theft. Because the team listened to those artists, Glaze accounts for regular art thieves too (i.e. Glaze can’t be removed/cropped etc. like signatures or watermarks when reposted. It’s just part of the image, so even if it ends up on another site and scraped, the Glazing is still in effect)
When you run your artwork through Glaze, no information is sent back to the Team. (Aka, no scraping on their part. The app receives information from the Team (like updates) but no information from you is given to them through the app. Basically Team servers —> You and NOT Team servers <-–>You) One-way data street.
Brief misunderstanding happened over an open-source license for the front-end part of the app. (Used open-source coding for front-end, not knowing that code’s use-license states it is only for other open-source uses, not closed-source (the back-end code of the app is private to prevent counter-counter measure developments)). The Team took down the app until they replacedthe front-endcode with code written from scratch by the team. They are now not in violation of that open-source license since they are no longer using it. (you have 30 days to remedy a license breach once informed; they did so in 2)
The Team is currently in touch with Japanese artists to better expand the tool for use to protect their art styles
From what I understand of it, Glaze is an AI tool designed to be anti-AI (Think Arnold Schwarzenegger in Terminator 2: one Terminator robot vs. all the other Terminators 😂)
You can download it from their website and also contact them through email there with any questions, problems, or bugs. The website: https://glaze.cs.uchicago.edu/
reblogging this every fucking time it comes across my dash
everyone’s saying it but yeah the new tumblr desktop layout is complete garbage lmao
yknow what i really can’t fucking stand. how every social media now feels like it’s designed for mobile first but then subsequently there is NO design for desktop and they just kinda slap a mobile interface onto a widescreen canvas and fill it with a solid color. like why is what feels like 60% of my dashboard just negative space on a 16:9 monitor. the entire thing is so fucking claustrophobic and just bunched together. use the space!!!! why are the timeline switcher tabs at the top of the screen getting cut off!!! you could fit all of them!!!
LIKE WHAT IS GOING ON HERE
zooming in to like 110% makes it a LITTLE better but it’s still way too much empty space on the sides that could be used so much more meaningfully, and then going any further than that just starts to literally cut off the content i actually want to see, like at a certain point in order to cut down on negative space i can only fit half of a post on screen if it’s long enough. on a 4K monitor. i don’t understand why so much modern website design conflates “compact” with “efficient”. they are not mutually exclusive but they’re also not synonyms!!! 16:9 will not hurt you!!!! some of my favorite stuff is in 16:9! like psychonauts 2! everyone wants to be psychonauts 2! what are you afraid of!!!
wow i sure wonder 🤔🤔 what the new layouts supposed to look like 🤔🤔🤔🤔 its a mystery
Don’t forget y’all that there’s a much better way for us to let Tumblr know what we think about specific changes, rather than @ ing staff or wip, and it’s sending in a support ticket and choosing feedback!
Tumblr reverted some of the asinine app decisions they made after a concerted feedback effort! So make sure to use this form! It’s what it’s for, but it’s not well advertised!
honestly what a fucking iconic response. obviously “hello my name is inigo montoya” is the fucking ultimate but we were all building up this confrontation, this fight, this moment right there alongside inigo who had been doing so for 20 (twenty) fucking years ~and in all that time did he ever think the count would just run away? ha lol no~ but then the count just fucking runs away. and yes it’s a moment of perfect comedic delivery/timing, but it’s also a classic moment of subversion in this movie that is so close to being perfect if not for westley’s shitty moustache (kudos to buttercup for still loving him even after she saw that). this film dances so delicately with fulfilling and subverting tropes and it’s moments like this that just exemplifies that
It’s also a super reasonable move. Count Rugen just watched this guy kill like four guys so fast the first hadn’t finished falling down when the last one was stabbed. This dude is no joke, and now he’s like “Oh also this isn’t about the king, I’m specifically here to kill YOU” and here the Count is in just some random hallway and Inigo has a huge guy behind him as backup and… yeah, absolutely not. Fucking run.
And I think that’s a big part of what makes it so funny, it’s not just that he’s subverting your expectations it’s that this is legitimately also the smart thing to do.
characters who are absolutely convinced down to their bones that they are unlovable being subjected to the mortifying ideal of being wholly and unconditionally loved. that’s the good stuff. never get tired of it.
ALT
